Pakistani Theatre Group Brings Ramayana
In a groundbreaking moment for cultural exchange and artistic expression, a Pakistani drama troupe has taken center stage in Karachi with a powerful adaptation of the Hindu epic Ramayana. The performance, held at the Karachi Arts Council over the weekend, was presented by the drama group Mauj and has quickly captured public and critical acclaim.
Pakistani Theatre Group Brings Ramayana
Blending tradition with technology, the production utilized artificial intelligence to enhance visual storytelling, creating a vivid and immersive experience that brought the age-old tale of good triumphing over evil to life. From dramatic lighting to live music and intricate costumes, every detail contributed to a spellbinding theatrical experience.

Pakistani Theatre Group Brings Ramayana
Director Yoheshwar Karera, the creative force behind the show, shared that he never feared backlash for staging a story rooted in Hindu mythology. “To me, bringing the Ramayana to life on stage is a visual treat and proof that Pakistani society is far more tolerant than it’s often portrayed to be,” he said.
Pakistani Theatre Group Brings Ramayana
The audience response has been overwhelmingly positive, with critics praising the production’s sincerity and flair. Noted film and arts commentator Omair Alavi lauded the performance, highlighting the richness of its storytelling and the high-quality production values. “The Ramayana resonates with millions, and this adaptation does justice to its timeless message,” he said.
Pakistani Theatre Group Brings Ramayana
Adding a unique twist to the performance, producer Rana Kazmi stepped into the role of Sita, sharing that she was captivated by the opportunity to embody such an iconic character. “The idea of turning this ancient narrative into a living, breathing experience for modern audiences fascinated me,” she said.

Pakistani Theatre Group Brings Ramayana
The play not only bridges cultures but also serves as a testament to the unifying power of art, a message echoing far beyond the stage.